The Little Mermaid is a very good movie, recommends 8-year-old Audrey Fernandes.
Nishanchi actor Aaishvary Thackeray has signed up to play one of the leads in Yash Raj's new film, directed by Ali Abbas Zafar.
Bada Naam Karenge is a sweet, simple love story sprinkled with family drama and entertainment, something that has been missing from the OTT space for a while, feels Namrata Thakker.
Black, White & Gray - Love Kills has a unique take on the standard murder mystery that may not be perfect but is very entertaining nonetheless, discovers Mayur Sanap.
Gram Chikitsalay uses the same template as Panchayat but with a fraction of its humour or charm, observes Deepa Gahlot.
Rishab Shetty's Kantara Chapter 1 is an ambitious, bold update of the ideas of the first film in a much bigger canvas, discovers Arjun Menon.
Starring Kunal Nayyar, Christmas Karma is a present day take on Charles Dickens' classic A Christmas Carol, with its three ghosts played by Eva Longoria, Billy Porter and Boy George.
The Delhi high court on Thursday refused to entertain a public interest litigation seeking a stay on the release of the Bollywood movie The Taj Story, scheduled to hit the screens on Friday.
Superboys of Malegaon is a delight to watch, raves Deepa Gahlot.
Thudarum is a masterpiece for adults, a serious yet self-aware piece of cinema that has something for everybody, feels Arjun Menon.
Brave New World deviates from the Marvel template and takes a route of a paranoid thriller with a politically charged narrative, observes Mayur Sanap.
Watching Bazooka is like trying to figure out a long drawn-out puzzle that never makes sense, observes Arjun Menon.
Govinda has been admitted to the CritiCare hospital in Juhu, northwest Mumbai, after he fainted at home around midnight, his legal advisor and friend Lalit Bindal said.
'In a world that's loud and fractured, this is my small offering of softness. Of love.'
Babil's palpable reactions to invasion of privacy make a strong case for Logout's plausible scenario, observes Sukanya Verma.
Dhoom Dhaam is a medley of midnight shenanigans that oscillate between jumbled screenplay and out-of-place crusading, notes Sukanya Verma.
Performances by Nimrat Kaur and Amol Parashar make the rather unimaginative show watchable, observes Deepa Gahlot.
The temptation for larger-than-life superstardom is understandable but Varun Dhawan is still too much of a Baby to be a John, notes Sukanya Verma.
An upright police officer fighting wrongdoing is something we have seen umpteen times before, but Khakee: The Bengal Chapter holds our interest, thanks to a layered and complex story with a dozen of well-detailed characters, observes Mayur Sanap.
Shahid's heft is the only thing that keeps up the momentum in a mediocre rehash, dumbed down by flimsy motive and mindless bravado, sighs Sukanya Verma.
Himesh Reshammiya does not have the swag or the acting chops to play a loose cannon cop, sighs Deepa Gahlot.
Everyone had high expectations of season 3, expecting the same level of emotion, the same thrills, and the same cinema. But it failed to deliver, feels Vihaan Kulkarni.
The nationalism of Sky Force is low key -- which is its weakness, as well as its strength -- and it does not manipulate the audience into a pre-decided hate-the-enemy response, observes Deepa Gahlot.
Every year has its share of duds and turkeys. 2024 was no different except that even the rotten ones are too drab to have any real offence value.
Patrick Graham's crime documentary The Dupatta Killer gives all sides of the story and leaves it to the viewer to fill in the blanks, notes Deepa Gahlot.
Be it as a source of fire, secret or endgame, everything is seen through the prism of sex and good looks in The Royals, observes Sukanya Verma.
Prabhas never looked more heroic and magnetic than he did in the dual role of Amarendra and Mahendra Baahubali, applauds Mayur Sanap after watching the nearly four hour-long Baahubali: The Epic.
A superficial drama that never rises above its boring sentimentality, notes Mayur Sanap.
Mere Husband Ki Biwi collapses into an unremarkable My Best Friend's Wedding knock-off reducing a woman's worth to a catfight, observes Sukanya Verma.
Crime Beat is engrossing enough to binge-watch, endorses Deepa Gahlot.
If you disregard history and are ready to watch Kesari 2 purely as an entertainer, you are definitely going to enjoy it, feels Utkarsh Mishra.
'It's far-fetched to say that human thinking will become subservient.'
Naga Chaitanya and Sai Pallavi's competent performances barely elevate this romantic drama, which prefers patriotic thrills, observes Arjun Menon.
Palak and Anuja endear us to their bittersweet world, observes Sukanya Verma.
Food delivery and quick commerce firm Eternal, which owns the Zomato and Blinkit brands, on Thursday reported a consolidated net profit of Rs 65 crore for the second quarter ended September.
Such a collection of amiable characters were last seen in Panchayat. There are greedy dowry seekers, criminals, misogynists and the like, but the collective goodness of the others keep violence and male chauvinism in check, notes Deepa Gahlot.
Dark, disturbing and full of gore, Fateh is gung-ho in its efforts to make this stylised action yarn as brutal as possible, observes Mayur Sanap.
The Brutalist reaches its full potential, thanks not just to its writing and its technical brilliance but also Adrien Brody's performance, applauds Deepa Gahlot.
Whatever the reviews may say, the makers of the Diwali release, Ek Deewane ki Deewaniyat, seemed happy to organise a special screening for their friends from the industry.
Kesari 2 has more style than substance on its mind, feels Sukanya Verma.
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